The
appeal of Kiss has always been based on their live shows: the garish
greasepaint make-up, outrageous costumes and pyrotechnic stage effects,
along with their hard-rocking anthems, combined to create what was
billed as "The Greatest Rock 'n' Roll Show On Earth". Their live reputation
engendered a dramatic upsurge in record sales, and Alive became their
first certified platinum album in the USA. Destroyer proved just as
successful, and also gave them their first US Top 10 single, earning
Peter Criss a major songwriting award for the uncharacteristic ballad,
"Beth". Subsequent releases, Rock And Roll Over, Love Gun and Alive
II, each certified platinum, confirmed the arrival of Kiss as major
recording artists. By 1977 Kiss had topped the prestigious Gallup
poll as the most popular act in the USA. They had become a marketing
dream: Kiss merchandise included make-up kits, masks, board games,
and pinball machines. Marvel Comics produced two super-hero cartoon
books, and a full-length science-fiction movie, Kiss Meet The Phantom
Of The Park, was even produced.
The
ranks of their fan club, the Kiss Army, had swollen to a six-figure
number.In
September 1978 all four band members released solo albums on the same
day, a feat never before envisaged, let alone matched. At the time,
this represented the biggest shipment of albums from one "unit" to
record stores in the history of recorded music. The albums enjoyed
varying degrees of success; Ace Frehley's record came out on top and
included the US Top 20 hit single, "New York Groove". Gene Simmons,
whose album featured an impressive line-up of guests including Cher,
Donna Summer, Bob Seger and Janis Ian, had a hit single in the UK
with "Radioactive", which reached number 41 in 1978. After the release
of Dynasty in 1979, which featured the worldwide hit single, "I Was
Made For Lovin' You", cracks appeared in the ranks. Peter Criss left
to be replaced by session player Anton Fig, who had previously appeared
on Frehley's solo album. Fig played drums on the 1980 release Unmasked
until a permanent replacement was found in the form of New
Yorker
Eric Carr (b. 12 July 1950, USA, d. 24 November 1991, New York, USA),
who made his first appearance during the world tour of 1980. A fuller
introduction came on Music From The Elder, an album that represented
a radical departure from traditional Kiss music and included several
ballads, an orchestra and a choir. It was a brave attempt to break
new ground but failed to capture the imagination of the record-buying
public.
Frehley,
increasingly disenchanted with the musical direction of the band,
finally left in December 1982. The two albums prior to his departure
had featured outside musicians. Bruce Kulick, who had contributed
to the studio side of Alive II and played on Stanley's solo album,
supplied the lead work to the four previously unreleased tracks on
the Killers compilation of 1982, and Vincent Cusano (later to become
Vinnie Vincent) was responsible for lead guitar on the 1982 release,
Creatures Of The Night. By 1983 the popularity of the band was waning
and drastic measures were called for. The legendary make-up that had
concealed their true identities for almost 10 years was removed on
MTV in the USA. Vinnie Vincent made his first official appearance
on Lick It Up, an album that provided Kiss with their first Top 10
hit in the UK. The resurgence of the band continued with Animalize.
Vincent had been replaced by Mark St. John (b. Mark Norton), a seasoned
session player and guitar tutor. His association with the band was
short-lived, however, as he was struck down by Reiters Syndrome. Bruce
Kulick was enlisted as a temporary replacement on the 1984 European
Tour, and subsequently became a permanent member when it became apparent
that St. John would not be able to continue as a band member. Further
commercial success was achieved with Asylum and Crazy Nights, the
latter featuring their biggest UK hit single, "Crazy Crazy Nights",
which peaked at number 4 in October 1987 and was soon followed by
another Top 40 hit single, "Reason To Live".
Hot
In The Shade succeeded their third compilation album, Smashes, Thrashes
And Hits, and included another US hit single, "Forever", which reached
number 8 in February 1990. Work on a new Kiss album with producer
Bob Ezrin was delayed following Eric Carr's illness due to complications
from cancer. He died on 24 November 1991, in New York, at the age
of 41. Despite this setback, Kiss contributed a hit cover version
of Argent's classic "God Gave Rock 'N' Roll To You II" (UK number
4, January 1992) to the soundtrack of the film Bill And Ted's Bogus
Journey, and brought in replacement drummer Eric Singer (ex-Black
Sabbath; Badlands). The album Revenge also provided them with their
highest charting US album (number 4), and their first Top 10 release
since Dynasty reached number 9 in 1979.
The
Kiss My Ass tribute album was released in 1994, with contributions
from Lenny Kravitz, Stevie Wonder, Garth Brooks, Lemonheads, Faith
No More, Dinosaur Jr, Rage Against The Machine and others. The interest
in Kiss My Ass led to a historic reunion for MTV Unplugged. A stable
unit with Bruce Kulick (guitar) and Eric Singer (drums), together
with Simmons and Stanley, appeared to be on the cards, but Frehley
and Criss returned for a reunion tour. So successful was the tour
that Kulick and Singer were naturally somewhat annoyed and both quit.
Their irritation was further exacerbated by the fact that a new studio
album, Carnival Of Souls, featured both of them. In 1997 Vincent sued
the band, alleging that they owed him royalties. A year later Psycho
Circus marked the return of the original line-up to the studio, and
became the band's highest charting US album when it debuted at number
3 in October. With a history spanning three decades, Kiss' impact
on the consciousness of a generation of music fans, particularly in
the USA, remains enormous.
Dimensions
approx: 100mm L x 88mm W x 100mm H
Colours: as shown.
Material: PVC rubber, non toxic.
Packaging: Each Celebriduck comes in a clear gift box with hang tag.
...We produce our Celebriducks in limited editions and make changes
as we release each new edition. All first editions done before the
year 2000 were done in editions of 5000 and a number of them are
getting close to being sold out. The early first editions are a
bit larger and a little more firm, but subsequent editions after
the year 2000 reflect a duck which now squeaks, is a little smaller
and softer, has all new packaging, and floats as well or better
than any duckie on the market.

Celebriducks is a registered trademark & licensed product.
Any reproduction or infringement will result in litigation. All
items are licensed. Celebrity ducks cannot be imprinted without
authorisation of the licensor.